![]() ![]() All 6 voices will be assigned to the last key pressed. ![]() Now you can access the test-programs 80-98: Keep 5 down and press 3 for bank 8, 5 and press 4 for bank 9.įire the JUNO up with the KEYTRANSPOSE button pressed and the arpeggio mode-switch up to enter MONO-MODE. To access patches 80 to 98, (dead-patch) plug a cord into the PATCH SHIFT connector. By pressing down nr 5 and 1 or 2, at the same time, you get access to patch 57 to 76. Of course nobody can deny that the wooden side panel look is a true sign of Vintage status! JUNOs have been used by Enya, The Cure, Sean Lennon, Faithless, Astral Projection, Vince Clarke, Rabbit in the Moon, Men at Work, Flock of Seagulls, Olive, Dee-Lite, Howard Jones, Locust, Eurythmics and Add N to (X). The JSQ-60 sequencer is an external sequencer controller for the JUNO-60 and is usually worth acquiring. The JUNO-6 and 60 are very rich sounding synthesizers and are great analog machines as long as you can withstand the absence of MIDI control. The JUNO-60 is still popular due in part to opinions that it sounds better (punchier) than the JUNO-106. ![]() Also, some of the chips are now integrated. The Juno-106 has midi and portamento, but the arpeggiator is gone. It also adds DCB (Roland’s own pre-midi standard) 1984: The Juno-106 replaces the Juno-60. The JUNO-60 includes 56 patches of memory storage. 1982: Because of the Korg Polysix and it’s ability to save patches, the Juno-60 is introduced which is a Juno-6 upgraded with patch memory. Among the first in Roland's amazing JUNO family! Six analog voices of polyphony and patch memory storage!! The JUNO-60 sounds great, however, like the JUNO-6 it lacks MIDI control. ![]()
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